soshivelvets:
“Gucci, Year of the Dog by Petra Collins
”

soshivelvets:

Gucci, Year of the Dog by Petra Collins

dureda:
“fly off
”

dureda:

fly off

midnight-charm:
“Gucci celebrates the year of the dog
Photography by Petra Collins
Art Director: Christopher Simmonds
”

midnight-charm:

Gucci celebrates the year of the dog

Photography by Petra Collins

Art Director: Christopher Simmonds

sixpenceee:
“ “Templar Ritual” by Darren Tan
”

sixpenceee:

“Templar Ritual” by Darren Tan

artist-redon:
“Death: It is I who makes you serious; let us embrace each other (plate 20), 1896, Odilon Redon
Size: 23.4x21.4 cm
Medium: lithography on paper”

artist-redon:

Death: It is I who makes you serious; let us embrace each other (plate 20), 1896, Odilon Redon

Size: 23.4x21.4 cm

Medium: lithography on paper
humanoidhistory:
“Astronaut Anna Fisher, the first mother in space, has logged 7 days, 23 hours, 44 minutes in orbit.
”

humanoidhistory:

Astronaut Anna Fisher, the first mother in space, has logged 7 days, 23 hours, 44 minutes in orbit.

[The Beauty Myth] analyzes beauty ideals as a “gold standard” that organizes women into a beauty hierarchy and competition, and takes away their power to define themselves. Physical appearance and attractiveness is a form of privilege (and a type of currency, or capital), as many feminist sociological, psychological, and media-based studies have shown time and time again; it is an upward route to class and economic mobility through better employment options and marital choice. Feminine beauty and physical attractiveness are forms of capital which women can increase by investing in beauty products and in grooming and beauty practices. Physical attractiveness, whiteness, and youthfulness have accrued capital just as darker skin color, hair texture, disability, and aging have devalued feminine currency. Beauty is a resource that continues to be part of unearned privileges not only for white Americans with European origins, but also for those who approximate white physiognomy and light-skin ideals…

parasoli:

gucci by petra collins.

love-in-the-perfumed-garden:
“ Salomé (c1900)
by Pierre Bonnaud (1865-1930)
”

love-in-the-perfumed-garden:

Salomé (c1900)

by Pierre Bonnaud (1865-1930)